NAB 2022: Mo-Sys to showcase multi-camera switching for LED volumes
Mo-Sys Engineering announced that its cinematic content server for LED volumes, VP Pro XR has been further improved to incorporate seamless...
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Radio channels in Israel choose DHD audio equipment
DHD SX2 audio production mixers and TX touch-screen controllers have been chosen by radio channels Echo 99 FM and 103 FM in Israel. The project...
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Video streaming expert 24i acquires data specialist The Filter
24i, the end-to-end video streaming expert, announced that it has acquired privately-held, UK data specialist The Filter. Co-founded by the musician,...
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New 4K-UHD OB vehicle: Vietnamese broadcaster chooses Ikegami cameras
Vietnamese broadcaster Hau Giang Province Radio & Television (HGTV) has chosen Ikegami cameras for deployment in a 4K-UHD OB vehicle. The project...
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ISE 2022: Retail Showcase to debut in Hall 6
Running alongside the Digital Signage Avenue in Hall 6, the ISE Retail Showcase, will take visitors on a journey through the ultimate frictionless...
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ARRI stellt Kamerastabilisatoren in zweiter Generation vor
ARRI hat eine zweite Generation seiner Kamerastabilisatoren TRINITY und ARTEMIS vorgestellt. Das neue, modulare System soll Verbesserungen bei...
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29. FKTG-Fachtagung erneut abgesagt: "Jahr der Unwägbarkeiten"
Die FKTG Fernseh- und Kinotechnische Gesellschaft hat ihre 29. Fachtagung - geplant für den 9. bis 11. Mai 2022 - erneut absagen müssen. Die...
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Live production in the cloud: Vizrt hires Jon Raidel
Vizrt announces the appointment of Jon Raidel as the company’s new Global Lead for its Live Production in the Cloud offering. With an accomplished...
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Normgerechte Lautheit im Sendebetrieb: Harvey unterstützt CLC
Mit der Implementierung des Continuous Loudness Controller (CLC) in den Audio-DSP Harvey sorgt der Berliner Hersteller DSPECIALISTS für normgerechte...
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